Hymns for Brass Ensembles
A Mighty Fortress Is Our God
Tune: Ein Feste Burg
Arranged by Dale Elmshaeuser From the Hymns for Brass Ensembles series, this arrangement includes both the rhythmic and isometric forms of the tune, with an Introduction, Hymnal Version, Congregational Version, and Transition for each. The Hymnal Versions are from Lutheran Book of Worship and Lutheran Worship. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite with the two forms of the hymn alternating; or either form can be played by itself. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
All Glory, Laud, and Honor
Tune: Valet Will Ich Der Geben/St. Theodulph
Arranged by Mark Albrecht In this arrangement from the Hymns for Brass Ensembles series, there are five contrasting settings with refrains, including the Hymnal Version from Lutheran Worship. The first setting is in three-part harmony, and the others are in four parts. One features a repeated, two-measure, Arban exercise type of figure along with the hymn tune, above a tenor and bass of drones in fifths. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
All Praise to You, Eternal Lord
Tune: Gelobet Seist Du
Arranged by Richard Hillert From the Hymns for Brass Ensembles series, here is elegant brass writing with moderate ranges and easy rhythms that make this arrangement an excellent introduction for players not yet familiar with Hillert's style. The first setting complements the harmonization in Lutheran Worship. It is followed by a partita that moves uninterruptedly through three variations, each less legato than the preceding one. An alternate congregational accompaniment leads to a setting that complements the one in Lutheran Book of Worship. The final, majestic setting effectively leads the congregation while not carrying the hymn tune in its entirety. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Orchestral Ensembles
Amazing Grace
Tune: Amazing Grace/New Britain
Arranged by Dale Elmshaeuser The Prelude, in chorale prelude style, can be played as an independent piece. There is an alternate, short Introduction that can be played in place of the Prelude. The Hymnal Version follows, as found in The Baptist Hymnal, The United Methodist Hymnal, and The Presbyterian Hymnal. Three more Congregational Versions follow, one of which accompanies the tune "New Britain" with the tune "St. Columba." The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band) or orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 2/3. Full Set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Angels from the Realms of Glory
Tune: Regent Square
Arranged by Dale Elmshaeuser Setting A of this arrangement from the Hymns for Brass Ensembles series is the hymnal version from The United Methodist Hymnal (1989) and most major hymnals, followed by three congregational versions. In setting B, the hymn tune is in the tenor line; in setting C, in the bass; and in setting D, in the alto. Setting B has a trumpet duet above the hymn tune; setting C begins with muted trumpet fanfares, moves to open fanfares, and reaches a festive eighth-note conclusion. Setting D has eighth notes throughout in the tenor and bass, with a soprano descant in long tones. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
As with Gladness Men of Old/For the Beauty of the Earth
Tune: Dix
Arranged by Dale Elmshaeuser There is a great deal of energy and variety in these five settings, including one filled with fanfares, one with a descant, and one containing canonic entries. The final setting has many fast, sixteenth-note, descending and ascending scale passages. The arrangement is from the Hymns for Brass Ensembles series. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level ranges from 3 to 4. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
At the Lamb's High Feast We Sing
Tune: Sonne Der Gerechtigkeit
Arranged by Dale Elmshaeuser In this arrangement from the Hymns for Brass Ensembles series, royal fanfares usher in five joyful settings, including the Hymnal Version found in Lutheran Book of Worship and Lutheran Worship. The third setting consists of the hymn tune as a canon in the upper three voices above an independent bass line that begins with hints of Dixieland. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Orchestral Ensembles
Two Hymn Accompaniments, Set III
Blessed Assurance (Tune: Assurance); and
Praise, My Soul, the King of Heaven (Tune: Praise, My Soul)
Arranged by Dale Elmshaeuser The two shorter arrangements within this arrangement from the Arrangements for Orchestral Ensembles series were written for a wind ensemble to accompany congregational singing, but they can be played by strings, and they are varied enough to serve as separate instrumental pieces. "Blessed Assurance" has an original Introduction, followed by the harmonization from the hymnal supplement With One Voice, and an optional descant. "Praise, My Soul, the King of Heaven" begins with an instrumental Introduction, and continues with the harmonization from Lutheran Book of Worship. The arrangement proceeds with a Congregational Version in four-part harmony, with an optional fifth part. The LBW harmonization returns, with an added descant. The latter can be played by the instrumentalists, and/or sung by choir trebles from the provided sheet that includes the text of the final hymn stanza for both "Praise, My Soul, the King of Heaven," and "Alleluia, Song of Gladness." While this set is playable by many high school ensembles, it is musically interesting enough for adult and advanced groups as well. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra (without percussion). The arrangement can accompany a congregation, or can be played as an instrumental piece. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, and suggestions for performance.
Hymns for Brass Ensembles
Built on a Rock the Church Shall Stand
Tune: Kirken Den Er Et Gammelt Hus
Arranged by Mark Albrecht From the Hymns for Brass Ensemble series. There is a brief Introduction, followed by four Congregational Versions and the Hymnal Version from Lutheran Book of Worship. In settings A and D, the baptismal waters can be heard in slurred eighth-note passages of inner parts. Setting B harmonizes "Kirken" with most of "Wer Nur Den Lieben Gott." Setting E is a bit more removed, both rhythmically and harmonically. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Orchestral Ensembles
Two Hymn Accompaniments
Christ Is Alive! Let Christians Sing (Tune: Truro)
Take My Life, That I May Be (Tune: Patmos)
Arranged by Dale Elmshaeuser The two shorter arrangements within this arrangement from the Arrangements for Orchestral Ensembles series were designed to accompany congregational singing, but they are varied enough to serve as separate instrumental pieces. "Christ Is Alive! Let Christians Sing" begins with a strong and lively Introduction, followed by the Hymnal Version from Lutheran Book of Worship, and an original descant. A separate sheet with the descant and the texts of the last stanzas of both this hymn and "Lift Up Your Heads, Ye Mighty Gates" is included for choir trebles. "Take My Life, That I May Be" is introduced by a Baroque-style fughetta. The Hymnal Version from Lutheran Book of Worship is next, with an original, instrumental descant added. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. The arrangement can accompany a congregation, or be played as an instrumental piece. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, and suggestions for performance.
Arrangements for Brasses
Christ Is Risen! Alleluia
Tune: Morgenlied
Arranged by Thomas Pavlechko This versatile arrangement from the Arrangements for Brasses series is written for seven Brasses, Organ, and optional Handbells and Percussion. It can be played as an instrumental piece, a congregational accompaniment, or a concertato with the addition of the reproducible SATB Choir and congregational parts which are included. This is a big, festive piece with brasses in typical fanfare mode, and very active handbells and chimes. The arrangement is scored for I, II, and III Trumpets; I F Horn; optional II F Horn; I & II Trombones; Tuba; Handbells in 3 or 5 octaves; Timpani; Cymbals; Chimes; and Glockenspiel. A part is included for Alternate Trombone as a I F Horn substitute. The difficulty level is 4. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Brasses
Christmas Carols of the Commonwealth
Arranged by Dale Elmshaeuser This medley of carols in the Arrangements for Brasses series comes from The Oxford Book of Carols, and features Christmas melodies that have not been tiresomely over-performed. The five carols in fast-slow-fast-slow-fast format are "A Virgin Most Pure;" "Remember, O Thou Man;" "The Cherry Tree Carol;" "In the Bleak Mid-Winter" (Cranham); and "Down in Yon Forest." The styles range from slow and sonorous with highly melodic lines, to rapid staccato passages, and end in a fast triplet meter interspersed with hemiolas. Each carol can be played separately, or the entire medley can be played straight through with the bridges provided. "Remember, O Thou Man" is a good carol to play again during the following Lenten season. This arrangement is scored for a standard brass quartet (I & II Trumpets, and I & II Trombones) plus optional Tuba. I & II F Horn parts and a Baritone T.C. part are included, so that the ensemble can be formed in different ways, or various doublings may be made for larger ensembles. This is an instrumental composition, not suitable for congregational accompaniment. The difficulty level is 4. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Brass Ensembles
Come, You Faithful, Raise the Strain
Tune: Gaudeamus Pariter/Ave Virgo Virginum
Arranged by Emily Maxson Porter From the Hymns for Brass Ensembles series. The setting from Lutheran Book of Worship and Lutheran Worship is followed by three new settings, with interesting changes in harmonies. One is in four-part harmony with the melody in the soprano, one is in three parts with the hymn tune alternating between the upper two voices, and the final one is in four parts with the melody alternating among the top three voices between fanfare figures. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Comfort, Comfort These My People
Tune: Freu Dich Sehr/Psalm 42
Arranged by Dale Elmshaeuser This arrangement from the Hymns for Brass Ensembles series contains four settings in a lush, legato style. In one setting, the melody alternates between higher and lower instruments. The fourth setting is topped with a descant. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Drawn to the Cross, Which You Have Blessed
Tune: Dunstan
Arranged by Dale Elmshaeuser This arrangement from the Hymns for Brass Ensembles series opens with the Hymnal Version from Lutheran Worship. Setting B begins with layered entries, while setting C is antiphonal between higher and lower instruments. The descant above setting D includes a quote from the tune "Beatitudo," used in some hymnals with "O for a Thousand Tongues to Sing," thereby tying together two related texts. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Original Works for Brasses
Eucharistic Hymn
Tune: (original)
By Dale Elmshaeuser This completely original work is a series of variations on an expansive chorale tune with soaring melodic lines. The melodic phrases alternate between phrases of five measures and those of four. It begins quietly with a solo, off-stage trumpet intoning the chorale, gradually builds to massive treatments of that melody, and ends softly, disappearing into the distance. Written to be played during the distribution of communion, it is appropriate for any occasion where a meditative, yet powerful composition is desired. The arrangement is for a brass quartet of two trumpets and two trombones, with alternate parts for I and II F horns, Baritone treble clef, and tuba. The difficulty level is 3. Full Set includes a Full Score, transposed parts for individual instruments, and suggestions for performance.
Hymns for Brass Ensembles
Faith of Our Fathers
Tune: St. Catherine
Arranged by Brandon Moore This arrangement for brass quartet from the Hymns for Brass Ensembles series includes a short Introduction, the Hymnal Version from The Baptist Hymnal (1991) and The United Methodist Hymnal (1989), and three new Congregational Versions. There are optional bridges connecting rhe latter three harmonizations. This arrangement contains contemporary harmonies and a rhythmic energy suitable for less formal situations, while maintaining the dignity appropriate for traditional worship. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Brasses
Five German Folk Hymns
Arranged by Dale Elmshaeuser This arrangement for brass quartet from the Arrangements for Brasses series contains the hymns "O Jesus So Sweet" (Tune: O Jesulein Süss); "God Loves Me Dearly" (Tune: Gott Ist Die Liebe); "I Am Jesus' Little Lamb" (Tune: Weil Ich Jesu Schäflein Bin); "Sing to the Lord of Harvest" (Tune: Wie Lieblich Is Der Maien); and "Now the Light Has Gone Away" (Tune: Müde Bin Ich, Geh' Zur Ruh'). The set could almost be titled "Children's Hymns," since four of them also fit this category. One of them, "Müde Bin Ich, Geh' Zur Ruh'," has often been sung to small children as a lullaby. These arrangements will find many uses, especially in Lutheran parishes with German backgrounds. They will provide often-sought material for brass ensembles to play at outdoor worship services during summer churh picnics, when no organ is available to lead congregational singing. They will offer music for devotional times that may be part of parish Oktoberfests. They can be played also for worship services that recognize or involve the children of the congregation. The notes are easy enough for middle school instrumentalists to play, thus amplifying the theme of children. However, the possibilities for a rich ensemble sound with great expression makes them suitable for more advanced ensembles as warm-up and performance material. There is a four-part harmonization of each hymn, along with an optional descant: two for Trumpets, two for F Horns, and one for Trombones. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The settings can accompany a congregation, or they can be played as an instrumental suite. The difficulty level ranges from 2+ to 3-. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds/Brasses
From Heaven Above
By Felix Mendelssohn, Arranged by Donald Rotermund A four-part Chorale and Fantasy for the instruments, along with an independent organ score, were developed from two movements of the original SSATB cantata on the tune Vom Himmel Hoch. The movements are reordered, placing the Chorale first, but may be played in either order, or separately. The first half of the Fantasy is a development of the opening phrase of the chorale. After a shorter, similar treatment of the second phrase of the chorale, the Fantasy ends with a majestic playing of the entire chorale in 3/4 meter, one beat to the measure. The organ part for this movement has nearly continuous eighth notes in one hand or the other, and at times in both together, until the final, complete chorale. This arrangement can be played by organ and as few as four instruments. It is equally effective with woodwinds or brasses. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The set includes a I Trombone part for brass ensembles. (A Tuba part would not be compatible with the Organ Score.) Trumpets can read from the I & II Clarinet parts, and II Trombones and Baritones can read from the Bassoon part. The overall difficulty level is 3. While of easy to medium difficulty for the woodwinds, the brass players (especially the trumpets) must have well-developed embouchures to play long high notes lasting several measures. Full set includes a Full/Organ Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Brass Ensembles
God of Grace and God of Glory
Tune: Cwm Rhondda
Arranged by Dale Elmshaeuser Listeners to this arrangement from the Hymns for Brass Ensembles series may get goose bumps from the optional Introduction for 2-4 antiphonal trumpets. After the Hymnal Version from Lutheran Book of Worship and Lutheran Worship, the alto line has the melody in one of the three settings that follow, while the tenor line carries it in the final one, with trumpet fanfares that also form an optional Transition and Coda. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Good Christian Friends (Men), Rejoice
Tune: In Dulci Jubilo
Arranged by Dale Elmshaeuser In this arrangement from the Hymns for Brass Ensembles series, there are four congregational versions, each with the hymn tune in a sprightly, 6/8 "in two," and the final hymnal version from Hymnbook 1982 in a majestic 6/4 "in six." Settings A and B contain sections of 2 and 3 parts, ending in 4 parts. Setting C is the hymnal version "in two." Setting D features Scottish drones in the tenor and bass. Above them, the I Trumpet begins the hymn tune muted; then unmuted, exchanges it with the II Trumpet, both later dividing above the tenor and bass. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty
level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Good Christian Friends, Rejoice and Sing
Tune: Gelobt Sei Gott
Arranged by Emily Maxson Porter In this arrangement from the Hymns for Brass Ensembles series, the Prelude begins with layered entries, and includes the entire hymn tune, with other material, based on the hymn tune, interspersed. It is followed by four Congregational Versions. Setting C has the tune in the tenor line. In the final harmonization, the tune begins in the soprano line and finishes in the alto line, while the I Trumpet ends with an ascending figure. The Hymnal Version is from Hymnbook 1982. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns,
Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds/Brasses
Hallelujah Chorus from "Messiah"
By George Frederick Handel
Transcribed by Dale Elmshaeuser This transcription from the Arrangements for Woodwinds series is the complete chorus with no arranging. The instrumentalists play the choral parts, and the organist or pianist can play from the Full Score. You can play this transcription as an instrumental piece, or use it as support for a choir that is small or lacks confidence. Extra parts for I Trombone and for Tuba, plus the F Horn part included in all our woodwind quartet arrangements, accommodate brass ensembles. This transcription can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, plus extra parts for I Trombone and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3/4. Full set includes a Full/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Brass Ensembles
Hark, the Glad Sound!
Tune: Chesterfield
Arranged by John McIntyre John McIntyre, whose suites for brass quintet have been well-received Live Oak House publications, has written his first arrangement in our Hymns for Brass Ensembles series. His Prelude weaves a repeated melody around he hymn tune in a style reminiscent of some Paul Manz organ preludes. While the trumpets carry this light, quick theme, the lower brasses pass the cantus firmus from the bass, to the tenor, and back to the bass. The Hymnal Version from Lutheran Book of Worship and Lutheran Worship is followed by a Congregational Version that begins with the hymn tune in unisons and octaves, and ends with a I Trumpet descant. The lower brasses continue the cantus firmus in octaves before dividing to provide the ending in four-part harmony. The Maestoso and marcato final Congregational Version has the hymn tune in the II Trumpet, with the I Trumpet playing a descant above it. The setting ends Allargando, with the original theme of the Prelude. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Brasses
How Great Thou Art
Tune: O Store Gud
Arranged by Jayne Southwick Cool This suite from the Arrangements for Brasses series consists of four movements, each containing the entire hymn tune. The harmonies are lush, and the horizontal movement is melodic within each part. Each movement is descriptive of one stanza of the hymn tune. This arrangement is scored for a standard brass quintet (I & II Trumpets, F Horn, Trombone, and Tuba): but other parts are included, so the quintet can be formed in different ways, or various doublings may be made for larger ensembles. This is an instrumental composition, not suitable for congregational accompaniment. The difficulty level is 3. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Orchestral Ensembles
I Love Your Kingdom, Lord/The Advent of Our God/Oh, Bless the Lord, My Soul
Tune: St. Thomas
Arranged by John Jay Hilfiger This first-in-the-series arrangement from the Arrangements for Orchestral Ensembles series is a continuous work, consisting of an introduction and four settings of the hymn - three of which can be separated out to accompany congregational singing, two of those in F Major, and the other in G Major. The arrangement is easy enough for high school and some middle school ensembles, yet interesting enough for adults and advanced players. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. The difficulty level is 3-. Full set includes a Conductor/Keyboard Score; transposed parts for individual woodwind, brass, and string instruments; background notes; and suggestions for performance with or without the congregation.
Hymns for Orchestral Ensembles
In Thee Is Gladness
Tune: In dir ist Freude
Arranged by Kenneth T. Kosche The Prelude is long enough to stand alone, and short enough to provide an extended introduction to the hymn sung by a congregation. Descending eighth-note segments of the F Major scale form a motif that ties the Prelude together with an energetic rhythm, while the soprano and tenor lines trade off on the chorale tune. A new, hymnal type of setting is next, followed by three more active harmonizations. One of these is slower, featuring steady eighth-note rhythms in a legato style around the chorale melody that is exchanged by the upper three voices. The tenor line carries the melody all through the final setting until the final "Alleluia," which moves to the alto voice. Rhythmic interest is provided by the dotted rhythms borrowed from the melody by the alto and bass lines. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band) or orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Brasses
Infant Holy, Infant Lowly
Tune: W Zlobie Lezy
Arranged by Mark Albrecht This lovely carol, here in the Arrangements for Brasses series, is arranged for standard brass quintet with optional flute solo in the smooth style of the London Brass. It begins gently, and gradually builds to a powerful climax just before the quiet ending. It is skillfully scored, so that the flute, at times by itself and at times above the brasses, is not covered by the brasses. The arrangement can be played effectively without the flute, too. This arrangement is scored for a standard brass quintet (I & II Trumpets, F Horn, Trombone, and Tuba), plus optional Flute solo. An alternate Trombone part in pIace of the F Horn, and a Baritone T.C. part in place of the (regular) Trombone are included. This is an instrumental composition, not intended for use with the congregation, although a congregational accompaniment can be extracted easily. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Brass Ensembles
Jesus Christ Is Risen Today
Tune: Easter Hymn
Arranged by Dale Elmshaeuser If you think all arrangements of this well-loved hymn sound the same, try this one from the Hymns for Brass Ensembles series. The fanfare Introduction is based on the opening notes of the hymn tune. After the Hymnal Version from Lutheran Book of Worship and Lutheran Worship, one setting is in a light, chorale prelude style; another with the melody in the alto line is a chorale with descant; and the final setting has the melody in the tenor, with periodic Trumpet fanfares. The latter two settings, as well as the first one, can accompany congregational singing. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Orchestral Ensembles
Two Hymn Accompaniments, Set II
Jesus on the Mountain Peak (Tune: St. Albinus)
Jesus, Still Lead On (Tune: Seelenbrautigen)
Arranged by Dale Elmshaeuser The two shorter arrangements within this arrangement from the Arrangements for Orchestral Ensembles series were written as wind ensemble accompaniments to congregational hymns, but they are varied enough to serve as separate instrumental pieces. "Jesus on the Mountain Peak" has a bold, majestic Introduction, the Hymnal Version from With One Voice, and an optional Transition with fanfare motifs, leading into a broader, more florid setting for congregation, and ending with the fanfares of the Transition. Optional percussion parts are included for chimes, snare and bass drums, and suspended and crash cymbals. "Jesus, Still Lead On" has an Introduction that begins small in the treble range, gradually expands, and ands with full, four-part harmony. The Hymnal Version from Lutheran Book of Worship is topped by a descant for instrumentalists and choir trebles (text and music sheet included). The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. The arrangement can accompany a congregation, or be played as an instrumental piece. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, and suggestions for performance.
Hymns for Brass Ensembles
Jesus Shall Reign Where'er the Sun/I Know That My Redeemer Lives
Tune: Duke Street
Arranged by Dale Elmshaeuser From the Hymns for Brass Ensembles series. A short Introduction beginning as a canon at the third measure is followed by four Congregational Versions. Setting A begins and ends as a canon at the second measure. Setting B is the Hymnal Version from Lutheran Worship. Settings A and B include the same four-measure transition, allowing choice in its placement. (Growing out of the last note of the hymn tune, it won't confuse the singers.) Setting C has the hymn tune in the alto line, with a descant above. Setting D places the hymn tune in the tenor line, with all other voices playing fanfare figures. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 2/3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Orchestral Ensembles
Joyful, Joyful We Adore Thee
Tune: Hymn to Joy
Arranged by Dale Elmshaeuser Beginning and interspersed among phrases of the hymn in the Prelude are eighth-note, melodic figures related to the hymn tune. Setting A is the harmonization from Lutheran Book of Worship. Setting B has the melody in the alto line, with a descant above. In setting C, the melody is in the tenor line, with a counter melody in the soprano line that places its 4/4 "measures" one beat later than the measures of the melody. Underneath there is an active bass line, mainly in eighth notes. The entire arrangement is in G Major. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band) or orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Let All Mortal Flesh Keep Silence
Tune: Picardy
Arranged by Dale Elmshaeuser From the Hymns for Brass Ensembles series, here is a very sonorous arrangement in legato style that contains the hymnal version from Lutheran Worship and three congregational accompaniments, including one with a layered entry to each phrase, and one with the tenor melody enhanced by a soprano descant. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Let All Together Praise Our God/O Christ Our Hope
Tune: Lobt Gott, ihr Christen
Arranged by Dale Elmshaeuser From the Hymns for Brass Ensembles series. After the introductory fanfares based on the hymn tune, four festive settings follow. One is in the style of the Introduction, and one has the melody in the tenor, with a soprano descant. The Hymnal Version is from Lutheran Book of Worship and Lutheran Worship. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Orchestral Ensembles
Lord, Enthroned in Heavenly Splendor/Look, Ye Saints, the Sight Is Glorious
Tune: Bryn Calfaria
Arranged by Kenneth T. Kosche The Prelude of this arrangement from the Hymns for Orchestral Ensembles series has the hymn tune alternating among bass, alto, and soprano lines, embellished with festive, active parts in the other voices. A new, hymnal type of harmonization is followed by three increasingly rhythmic settings. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score; transposed parts for individual woodwind, brass, and string instruments; background notes; and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Lord, Keep Us Steadfast in Your Word
Tune: Erhalt Uns, Herr
Arranged by Dale Elmshaeuser From the Hymns for Brass Ensembles series. There are three settings, plus the hymnal version from Lutheran Book of Worship and Lutheran Worship. The first setting begins with the hymn tune accompanying itself at the fifth. The third setting has an intense (but not difficult) rhythmic treatment. The last setting has the hymn tune in the alto line, with a I Trumpet counter melody above. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Brasses
Now Thank We All Our God
Tune: Nun Danket Alle Gott
Arranged by Jayne Southwick Cool Arranged for double choir, with the brasses as choir I and the organ as choir II, this is a very full sounding piece in neo Baroque style that makes a fine prelude to the hymn. Because of the repetitive nature and moderate ranges, an average high school ensemble or a solid junior high group can make a very pleasing presentation without much rehearsal. A shorter version can be obtained by taking the second ending the first time through. This arrangement can be played by organ and as few as four brasses (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 2. Full set includes a Full/Organ Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Brass Ensembles
O God, Our Help in Ages Past
Tune: St. Anne
Arranged by Mark Albrecht In this arrangement from the Hymns for Brass Ensembles series, an introduction (or interlude) precedes the hymnal version and five congregational versions. One setting is in 3 parts, with the melody in the bass. Everyone gets to play the melody before the arrangement is finished. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Brasses
O Jesus, I Have Promised
Tune: Angel's Story
Arranged by Jayne Southwick Cool After an antiphonal Introduction between brasses and organ in this composition from our Arrangements for Brasses series, there are four complete stanzas (three different settings) of the hymn tune, with an Interlude between stanzas three and four. A reproducible bulletin insert is included for congregations whose hymnals use a different tune for this text. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Full/Organ Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
O Little Town of Bethlehem
Tune: St. Louis
Arranged by Mark Albrecht This composition from the Arrangements for Brasses series provides a smooth, rich sound. Running eighth-note phrases, particularly in the F Horn, add melodic and rhythmic interest. Although written as an independent instrumental piece, it contains three distinct treatments of the entire carol tune -- all in the typical singing key of F. This allows playing it also as congregational accompaniments. This arrangement is scored for a standard brass quintet (I & II Trumpets, F Horn, Trombone, and Tuba). An alternate F Horn part in pIace of the II Trumpet, an alternate Trombone part in place of the (regular) F Horn, and a Baritone T.C. part in place of the (regular) Trombone are included. The difficulty level is 3. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
O Sacred Head, Now Wounded
Tune: Herzlich Tut Mich Verlangen
Arranged by Mark Albrecht This arrangement from the Arrangements for Brasses series is another Albrecht chorale arrangement in the smooth, London Brass style of his "Infant Holy, Infant Lowly." Like the former, it begins calmly, and gradually builds to a fortissimo before ending quietly. This arrangement is scored for a standard brass quintet (I & II Trumpets, F Horn, Trombone, and Tuba): but other parts are included, so the quintet can be formed in different ways, or various doublings may be made for larger ensembles. This is an instrumental composition, not suitable for congregational accompaniment. The difficulty level is 3. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Brass Ensembles
O Word of God Incarnate/I Lay My Sins on Jesus/O Jesus, I Have Promised
Tune: Munich
Arranged by Dale Elmshaeuser The Introduction of this arrangement for brass quartet from the Hymns for Brass Ensembles series passes the uninterrupted hymn tune through all four voices. It can be done as different introductions, transitions, or as a full, congregational accompaniment. The arrangement also contains the Hymnal Version from Lutheran Book of Worship and Lutheran Worship, and two more new Congregational Versions. The first of these has the hymn tune in the bass line, and the latter one includes an optional extended ending. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Of the Father's Love Begotten
Tune: Divinum Mysterium
Arranged by Mark Albrecht From the Hymns for Brass Ensembles series, here a very smooth, round sound that is especially appropriate to the plainsong melody. There are four settings and a transition, plus the hymnal version from Lutheran Worship. The first setting is for two-part, lower brasses. The second one contains a pleasing I Trumpet counter melody. The fourth setting has the hymn tune in canon, with the tenor playing one beat after the soprano. The final setting has sharp contrasts in volume levels, along with more modern harmonies. Everyone has a turn at the hymn tune. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Brasses
Praeambulum ex g. b moll
Transcribed by Robert N. Roth This transcription for brass quartet from the Arrangements for Brasses series is an adaptation of one of the free, modal works from the Lueneburg Organ Tablatures, a collection of organ pieces initially written, historical scholars think, by musical composition students, possibly under the direction of Matthias Weckmann. They date from the mid-1600's, and were found in a library in Lueneburg, Germany. The original organ lines have been redistributed between organ and brasses. A rather stately piece, it has moderate ranges and is easily playable by high school and some middle school ensembles, yet is of a quality that appeals also to adult players. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones), along with an independent Organ part. The arrangement includes extra, alternate parts for I & II F Horns, and Baritone T.C., so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 2+. Full set includes a Full/Organ Score, transposed parts for individual instruments, background notes, and suggestions for performance.
Hymns for Orchestral Ensembles
Praise to the Lord, the Almighty
Tune: Lobe den Herren
Arranged by Kenneth T. Kosche In this arrangement from the Hymns for Orchestral Ensembles series, copies of the first notes of the chorale tune are juxtaposed with altered fragments of other portions of the tune to create a joyful Prelude. A hymnal type of harmonization precedes three more new settings, one having the chorale in the tenor line with a descant in the soprano line. The final setting is based on a slightly different version of the chorale that is compatible with the version used previously. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
Rejoice, O Pilgrim Throng
Tune: Marion
Arranged by Dale Elmshaeuser This spirited, vigorous arrangement for brass quartet from the Hymns for Brass Ensembles series includes a short Introduction, the Hymnal Version from Lutheran Worship, and three new Congregational Versions. A unifying thread makes the rhythmic "echoes" to every "Rejoice!" of the refrain more elaborate with each succeeding stanza. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Original Works for Brasses
Rhapsodic Fanfare on Easter Themes
By Robert N. Roth This composition from the Original Works for Brasses series is written in a single movement with a modern harmonic flavor. Part of the alleluia from "Jesus Christ Is Risen Today" forms the fanfare that, along with motifs from "Hail Thee, Festival Day" and "Come, Ye Faithful, Raise the Strain" (St. Kevin) provide the unifying elements for the entire composition. There are also portions of "Christ Is Arisen" and "The Strife Is O'er, the Battle Done." The hymn tunes at times overlap, two or three at once. This composition is scored for a standard brass quintet (I & II Trumpets, F Horn, Trombone, and Tuba); but other parts are included, so that the quintet can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 4. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Woodwinds/Brasses
Ricercar del Sesto Tuono
By Andrea Gabrieli
Transcribed by Dale Elmshaeuser This ricercar from the Arrangements for Woodwinds series is in imitative, polyphonic style, and has been included in professional recordings for brasses, for strings, and for woodwinds. Issued here as a woodwind arrangement, the set includes parts for I Trombone and for Tuba, plus the F Horn part found in all our woodwind quartet arrangements, making it available to brass ensembles or mixed ensembles. This transcription can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, plus extra parts for I Trombone and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
Six Traditional Carols
Arranged by Dale Elmshaeuser The carols are "Lo! How a Rose E'er Blooming;" "O Come, All Ye Faithful;" "While by My Flocks I Watched at Night" (Echo Carol); "Away in a Manger" (Tune: Away in a Manger/Mueller); "Angels We Have Heard on High;" and "Hark! The Herald Angels Sing." Each carol has a traditional setting and an alternate, more modern treatment. The latter range from meditative to almost humorous. The arrangement can be played as a complete suite, a traditional suite, or a modern suite. The pitches are appropriate for accompanying the congregation or choir with the traditional settings and some of the alternate settings. Brasses can play alone, or the organist can join in, reading from the Conductor/Keyboard Score. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, and suggestions for rehearsal and performance.
Arrangements for Brasses
Six Traditional Carols, Set II
Arranged by Dale Elmshaeuser In the same format as Six Traditional Carols, the carols in this set are "Hark! A Thrilling Voice Is Sounding" (Tune: Merton); "Ding, Dong, Merrily on High;" "O How Joyfully;" "Rise Up, Shepherds, and Follow;" "From Heaven Above to Earth I Come;" and "God Rest Ye Merry, Gentlemen." Each carol is provided with a traditional setting and an alternate, more modern or active one. Play them in their entirety as an instrumental suite, play only one setting of each carol, or spread individual carols throughout a worship service or a carol festival. The alternate setting of "From Heaven Above" is one of the J. S. Bach harmonizations. This arrangement can be played by brasses alone, or with the organist joining in from the Conductor/Keyboard Score. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, and suggestions for rehearsal and performance.
Hymns for Brass Ensembles
Songs of Thankfulness and Praise
Tune: Salzburg
Arranged by Emily Maxson Porter This Epiphany hymn arrangement from the Hymns for Brass Ensembles series includes the setting from Lutheran Book of Worship and four original congregational versions. Thy hymn tune moves from I Trumpet to I Trombone to II Trumpet. There are many "fill-in" eighth notes, and the harmony lines generally move melodically, making these settings rhythmically interesting, fun to play, and pleasing to hear. The I Trumpet has opportunities to play rather high, but there are alternate lower notes as well. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Original Works for Brasses
Star of Stars
By Dale Elmshaeuser Mildly modern in 5/4 meter, this composition from the Original Works for Brasses series is a musical journey with the wise men. An original, chant-like melody is the unifying thread of a tapestry that includes other original motifs and brief quotations from seven carols and tunes concerning stars. The high point is two pleasingly dissonant phrases from "How Lovely Shines the Morning Star," as the travelers reach Jesus, the Star of Stars. A very special Christmas concert piece, with explanatory notes, it can be an effective part of Epiphany worship as well. This arrangement is scored for two Trumpets, two Trombones, and Tuba. There is an alternate F Horn part in place of I Trombone, and a Baritone T.C. part in place of II Trombone. The arrangement can be performed without the Tuba. This is an instrumental composition, not suitable for congregational accompaniment. The difficulty level is 4. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
Three American Folk Hymns
Arranged by John McIntyre This is an outstanding suite of three instantly appealing early American shape-note hymn tunes. The first ("The Child of Grace") is built around haunting French Horn "hunting calls." The second ("Beach Spring") begins and ends with a French Horn solo in the upper register. The third tune ("Alabama") has a lilting swing that the arranger has used to good advantage with interesting rhythmic parts for each player. Although the various registers are used very effectively, the ranges and difficulty levels are within the capabilities of advanced high school musicians. This could be a fine high school contest piece. The suite will be enjoyed by professional groups as well. This is a standard brass quintet arrangement for I & II Trumpets, F Horn, Trombone (or else Baritone B.C.), and Tuba. Parts are included for an alternate Trombone to replace the F Horn, and a Baritone T.C., allowing some flexibility in instrumentation. The difficulty level is 4. Full set includes a Full Score, transposed parts for individual instruments, and suggestions for rehearsal and performance.
Arrangements for Woodwinds/Brasses
Three Christmas Preludes
Arranged by Preston D. King The first of three separate movements begins with "O Come, All Ye Faithful," and ends with "The First Noel." The second movement is a meditative setting of "Lo! How a Rose E'er Blooming." The fast-slow-fast format ends with a quick-moving setting of "God Rest Ye Merry, Gentlemen" in 2/2 time. Each movement stands on its own. This arrangement can be played by as few as four instruments. It works equally well with woodwinds or brasses. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The set includes a I Trombone part and a Tuba part for brass ensembles. Trumpets can read from the I & II Clarinet parts, and II Trombones and Baritones can read from the Bassoon part. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
Three Easter Hymns
Arranged by Jayne Southwick Cool This arrangement from the Arrangements for Brasses series includes "Christ Jesus Lay in Death's Strong Bands," "Christ Is Arisen," and "Jesus Lives! The Victory's Won!" -- each with two harmonizations: a straight hymn setting doubled by the organ, and an adaptation of a Bach chorale setting for brasses only. The individual hymns can be played with organ and brasses in alternation to accompany hymn singing. When played as a suite, the organ can play the first setting of each, followed by the brasses on the Bach setting. This provides variety, and gives the brass players periods of rest. This arrangement is scored for a standard brass quintet (I & II Trumpets, F Horn, Trombone, and Tuba): but other parts are included, so the quintet can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
Three English Hymns
Arranged by John McIntyre As in our other titles by John McIntyre from our Arrangements for Brasses series, there is an engaging "open" harmonic structure. The writing is very much in a brass style, and there is great rhythmic interest, yet the overall sound is rich and round. Each movement stands alone, and can be played as a prelude, voluntary, or recital piece. The fresh treatment of "Tallis' Canon" presents the canon not only rhythmically, but at one time also harmonically, with each entrance in a different key. In "Deo Gracias" (Agincourt Hymn), varied articulation patterns, original melodic motifs and unexpected harmonic digressions provide additional excitement. The tune "Monk's Gate" has enough melodic and rhythmic interest of its own, but the arranger has added still more. Besides for worship services, this suite is excellent material for high school ensemble contests, and for recitals by university and advanced high school quintets. This arrangement is scored for a standard brass quintet (I & II Trumpets, F Horn, Trombone, and Tuba): but other parts are included, so the quintet can be formed in different ways, or various doublings may be made for larger ensembles. This is an instrumental composition, not suitable for congregational accompaniment. The difficulty level is 4. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
Three Hymns of Celebration
Arranged by Randall Sensmeier In this arrangement from the Arrangements for Brasses series, the hymns are "Let All Things Now Living" (tune: The Ash Grove); "Earth and All Stars" (David Johnson); and "Rejoice, O Pilgrim Throng." Each hymn follows the same format: an extended introduction, a new harmonization of the hymn tune, and an extended coda that repeats material from the introduction. Each is long enough to stand alone, or all three can be played as a suite. The harmonies, in hymnal keys, are modern, with some jazz progressions; and are especially suited to the brass medium. Although appealing to very competent players, this set is accessible to amateurs, also. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The separate settings can accompany congregations singing those hymn tunes. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
Three Irish Hymns
Arranged by John McIntyre This arrangement from the Arrangements for Brasses series is an excellent sequel to McIntyre's "Three American Folk Hymns." The smooth sound is similar: rich harmonies, listenable, yet sprinkled with pleasant harmonic surprises. The first movement ("Slane") is quiet and meditative; the second ("St. Patrick's Breastplate") is very quick, with some instruments muted at times; and the last ("St. Columba") returns to the style of the first. The second movement is for advanced high school musicians, but the others are playable by most high schoolers. The piece is very suitable for worship and for contests, and it will find a place with professional ensembles, too. This arrangement is scored for a standard brass quintet (I & II Trumpets, F Horn, Trombone, and Tuba): but other parts are included, so the quintet can be formed in different ways, or various doublings may be made for larger ensembles. This is an instrumental composition, not suitable for congregational accompaniment. The difficulty level is 4/5. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Brasses
To God the Holy Spirit Let Us Pray/We Now Implore God the Holy Ghost
Tune: Nun Bitten Wir
Arranged by Jayne Southwick Cool Written as an accompaniment for the congregational hymn, this arrangement from the Arrangements for Brasses series also makes a nice composition for instruments and organ. For congregational singing, a reproducible congregational hymn melody and text sheet is included for parishes that don't have this hymn in their hymnals. Notated in 2/2 time, the arrangement provides the mood of a medieval dance for this fine chorale tune. The introduction also contains a fragment of "O Lord, We Praise You." A ritornelle based on the last phrase of the chorale carries forward the dance between stanzas, accompanied by the three percussion instruments. One stanza is harmonized with the chorale tune doubled in the soprano and bass lines. This arrangement gives new life to the chorale, yet keeps an appropriate style for the tune's historical era. The arrangement is scored for organ; I and II Trumpets; I and II Trombones; optional Tuba; and optional Triangle, Tambourine, and Hand Drum. Alternate parts are included for I F Horn in place of the II Trumpet part; II F Horn in place of the I Trombone part; and Baritone treble clef in place of the II Trombone part. The difficulty level is 3. Full set includes a Full/Organ Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation.
Original Works for Brasses
Two Spring Fanfares
By Robert J. Powell In this composition from the Original Works for Brasses series, "Easter Fanfare" is first. It hints at the "Hallelujah!" from Handel's Messiah. The second, "Pentecost Fanfare," is based on the ancient hymn tune "Veni Creator." Both are antiphonal between organ and brasses; and both are in easy ranges with Trumpet G and Trombone F as the highest notes. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. An optional timpani part is included. The difficulty level is 3. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Brass Ensembles
Were You There
Tune: Were You There
Arranged by Dale Elmshaeuser Some junior high groups can play this round and full arrangement from the Hymns for Brass Ensembles series, but it requires good breath and pitch control. The Introduction for the bass line and Trumpets is especially nice with antiphonal Trumpets in two locations. The Congregational Version that follows is contemplative, but with interesting rhythmic figures in the inner voices. After the Hymnal Version from Lutheran Book of Worship and Lutheran Worship, comes a setting that begins in two parts and gradually expands to four. Following a big climax in the final, Congregational Version, there is a quiet ending. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 2/3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
When Morning Gilds the Skies
Tune: Laudes Domini
Arranged by Dale Elmshaeuser This arrangement for brass quartet from the Hymns for Brass Ensembles series includes a setting in chorale prelude style, the Hymnal Version from Lutheran Book of Worship and Lutheran Worship with an optional descant in the I Trumpet, and three new Congregational Versions. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Brass Ensembles
With High Delight Let Us Unite
Tune: Mit Freuden Zart
Arranged by Dale Elmshaeuser From the Hymns for Brass Ensembles series, this arrangement's treatment is strong and active throughout, and everyone plays the main hymn tune at times. The Introduction begins with "Duke Street," and ends with "Mit Freuden Zart." It is followed by the Hymnal Version from Lutheran Book of Worship and Lutheran Worship. In the next setting, while the tenor line is playing, "Good news to save ev'ry nation," the I Trumpet is playing the opening phrases from the Christmas hymn, "From heav'n above to earth I come To bring good news to ev'ryone." Two more settings follow, the latter with an optional extended ending. This arrangement can be played by as few as four instruments (typically I & II Trumpets, and I & II Trombones). Parts are included for I & II F Horns, Baritone T.C., and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
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