Hymns for Woodwind Ensembles
Ah, Holy Jesus
Tune: Herz Liebster Jesu
Arranged by Dale Elmshaeuser This arrangement from the Hymns for Woodwind Ensembles series, includes an Introduction, the Hymnal Version from Lutheran Book of Worship, a Congregational Version with descant, and two other settings. The total effect is haunting and meditative in a legato style. Setting B is in a chorale prelude form, with an ongoing "conversation" in off-beat figures between the upper two voices. Setting D has a highly embellished version of the hymn tune that mixes various duplet and triplet rhythms in the soprano line, paralleled more softly by the regular hymn tune in the tenor line. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Orchestral Ensembles
Amazing Grace
Tune: Amazing Grace/New Britain
Arranged by Dale Elmshaeuser The Prelude, in chorale prelude style, can be played as an independent piece. There is an alternate, short Introduction that can be played in place of the Prelude. The Hymnal Version follows, as found in The Baptist Hymnal, The United Methodist Hymnal, and The Presbyterian Hymnal. Three more Congregational Versions follow, one of which accompanies the tune "New Britain" with the tune "St. Columba." The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band) or orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 2/3. Full Set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds
Angels We Have Heard on High
Tune: Gloria
Arranged by Mark Albrecht Unlike other titles from our Arrangements for Woodwinds series, this arrangement is for three Flutes and classical Guitar (acoustical, not electric guitar). There are chord symbols for the Guitar part, but it is most effective when played with the written-out, standard notation. The latter also allows a Keyboard to substitute for the Guitar. The familiar carol begins with the Flutes on the first harmonization, moves to the Guitar soloing on the second with interesting duplet and triplet arpeggios, and concludes with the Flutes on the third. The Guitar also accompanies the Flutes, which play in three-part harmony on their settings. This is an instrumental piece, not suitable for congregational accompaniment. The overall difficulty level is 3-, although the II Flute part is somewhat easier, and the III Flute part is still easier. That aspect makes this a good arrangement for three flutists of varying abilities -- interesting enough for a more advanced player, while still accessible for fledgling flutists! Full set includes a one-line Conductor Score, separate parts for the three Flutes, and the Guitar (or Keyboard) part -- written out, with chord symbols added.
Arrangements for Woodwinds
Canon
By Robert Schumann
Transcribed by Evan Becker Originally a keyboard piece, this canon from the Arrangements for Woodwinds series was transcribed for Flute, Oboe, Clarinet, and Bassoon. Alternate parts are included, so the quartet can be made in other ways. Quartets of three clarinets and a bass clarinet; and soprano, alto, tenor, and baritone saxes are two possibilities. The light staccato style, occasional sixteenth-note runs, and a sprinkling of simple embellishments add interest. This transcription can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3/4. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Woodwind Ensembles
Children of the Heavenly Father
Tune: Tryggare Kan Ingen Vara
Arranged by Dale Elmshaeuser In this arrangement from the Hymns for Woodwind Ensembles series, there are four meditative settings, two with descants. The first setting is the Hymnal Version from Lutheran Book of Worship. In another, ascending scales and related materials provide a rippling effect. This arrangement can be played by a good junior high ensemble. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I and II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 2. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds/Brasses
From Heaven Above
By Felix Mendelssohn, Arranged by Donald Rotermund A four-part Chorale and Fantasy for the instruments, along with an independent organ score, were developed from two movements of the original SSATB cantata on the tune Vom Himmel Hoch. The movements are reordered, placing the Chorale first, but may be played in either order, or separately. The first half of the Fantasy is a development of the opening phrase of the chorale. After a shorter, similar treatment of the second phrase of the chorale, the Fantasy ends with a majestic playing of the entire chorale in 3/4 meter, one beat to the measure. The organ part for this movement has nearly continuous eighth notes in one hand or the other, and at times in both together, until the final, complete chorale. This arrangement can be played by organ and as few as four instruments. It is equally effective with woodwinds or brasses. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The set includes a I Trombone part for brass ensembles. (A Tuba part would not be compatible with the Organ Score.) Trumpets can read from the I & II Clarinet parts, and II Trombones and Baritones can read from the Bassoon part. The overall difficulty level is 3. While of easy to medium difficulty for the woodwinds, the brass players (especially the trumpets) must have well-developed embouchures to play long high notes lasting several measures. Full set includes a Full/Organ Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Woodwinds/Brasses
Fuga No. 5
By Johann Sebastian Bach
Transcribed by Pam Opacich-Wilsens The suggested instrumentation for this transcription from the Arrangements for Woodwinds series is Flute, Oboe, Clarinet, and Bassoon; but alternate parts allow other possibilities. The many sixteenth notes usually occur in two groups of four, making them negotiable by amateur players, especially at the andante tempo. A longer series of them at the end may require some separate drill, particularly by the alto and bass instruments. This is a very expressive and listenable fugue, appropriately played whenever one would play an organ fugue in all but the most somber of worship services. This transcription can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3/4. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Woodwinds/Brasses
Hallelujah Chorus from "Messiah"
By George Frederick Handel
Transcribed by Dale Elmshaeuser This transcription from the Arrangements for Woodwinds series is the complete chorus with no arranging. The instrumentalists play the choral parts, and the organist or pianist can play from the Full Score. You can play this transcription as an instrumental piece, or use it as support for a choir that is small or lacks confidence. Extra parts for I Trombone and for Tuba, plus the F Horn part included in all our woodwind quartet arrangements, accommodate brass ensembles. This transcription can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, plus extra parts for I Trombone and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3/4. Full set includes a Full/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Woodwind Ensembles
Hark! A Thrilling Voice Is Sounding
Tune: Freuen Wir Uns All In Ein
Arranged by Dale Elmshaeuser For two of the five settings in this arrangement from the Hymns for Woodwind Ensembles series, the melody is in the tenor line. For another it is in the alto. One setting has a soprano descant, another has a soprano and alto obbligato, and still another is harmonized with different phrases from the hymn tune itself. This arrangement can be played by as few as four instruments (soprano, alto, tenor, bass). Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental
suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Orchestral Ensembles
I Love Your Kingdom, Lord/The Advent of Our God/Oh, Bless the Lord, My Soul
Tune: St. Thomas
Arranged by John Jay Hilfiger This first-in-the-series arrangement from the Arrangements for Orchestral Ensembles series is a continuous work, consisting of an introduction and four settings of the hymn - three of which can be separated out to accompany congregational singing, two of those in F Major, and the other in G Major. The arrangement is easy enough for high school and some middle school ensembles, yet interesting enough for adults and advanced players. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. The difficulty level is 3-. Full set includes a Conductor/Keyboard Score; transposed parts for individual woodwind, brass, and string instruments; background notes; and suggestions for performance with or without the congregation.
Hymns for Woodwind Ensembles
In the Cross of Christ I Glory
Tune: Rathbun
Arranged by Dale Elmshaeuser In one setting of this arrangement from the Hymns for Woodwind Ensembles series, two echoes follow each of the four hymn phrases. There is the Hymnal Version from Lutheran Book of Worship and Lutheran Worship, and a setting in three-part harmony. A very moving descant floats atop the Hymnal Version to form the fourth setting. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 2/3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Orchestral Ensembles
In Thee Is Gladness
Tune: In dir ist Freude
Arranged by Kenneth T. Kosche The Prelude is long enough to stand alone, and short enough to provide an extended introduction to the hymn sung by a congregation. Descending eighth-note segments of the F Major scale form a motif that ties the Prelude together with an energetic rhythm, while the soprano and tenor lines trade off on the chorale tune. A new, hymnal type of setting is next, followed by three more active harmonizations. One of these is slower, featuring steady eighth-note rhythms in a legato style around the chorale melody that is exchanged by the upper three voices. The tenor line carries the melody all through the final setting until the final "Alleluia," which moves to the alto voice. Rhythmic interest is provided by the dotted rhythms borrowed from the melody by the alto and bass lines. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band) or orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Jesus, Priceless Treasure
Tune: Jesu, Meine Freude
Arranged by Dale Elmshaeuser In this arrangement from the Hymns for Woodwind Ensembles series, the second of five settings is for three treble instruments, and the third setting is for two trebles and a bass. The latter is in a Baroque style, while the former is more modern. The Hymnal Versions from Lutheran Book of Worship and from Lutheran Worship are included. The final, 4-part Congregational Version has a very melodic soprano descant over the hymn tune in the tenor line. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Jesus, Savior, Pilot Me
Tune: Pilot
Arranged by Dale Elmshaeuser This arrangement for woodwind quartet from the Hymns for Woodwind Ensembles series has a Prelude that begins with a slow triplet ostinato in jazz style. Along with rippling, regular eighth notes later in the upper two voices, it suggests the "unknown waves" of the hymn text. The alternation between triplets in the ostinato and dotted eighth-sixteenths in the hymn tune depicts "the breakers roar." The Hymnal Version from Christian Worship and The United Methodist Hymnal (1989) is next. Two Congregational Versions follow, the latter often pitting triplets against the dotted rhythm of the hymn tune. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Orchestral Ensembles
Joyful, Joyful We Adore Thee
Tune: Hymn to Joy
Arranged by Dale Elmshaeuser Beginning and interspersed among phrases of the hymn in the Prelude are eighth-note, melodic figures related to the hymn tune. Setting A is the harmonization from Lutheran Book of Worship. Setting B has the melody in the alto line, with a descant above. In setting C, the melody is in the tenor line, with a counter melody in the soprano line that places its 4/4 "measures" one beat later than the measures of the melody. Underneath there is an active bass line, mainly in eighth notes. The entire arrangement is in G Major. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band) or orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Just as I Am, without One Plea
Tune: Woodworth
Arranged by Dale Elmshaeuser This arrangement for woodwind quartet from the Hymns for Woodwind Ensembles series has a brief Introduction that is followed by the Hymnal Version from Lutheran Book of Worship and Lutheran Worship. The next setting in fughetta style could be played as a chorale prelude. Finally, there are four more settings that could accompany congregational singing, each somewhat descriptive of a particular stanza: "though tossed about;" "poor, wretched, blind;" "thou wilt receive;" and "thy love unknown." This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Let Us Break Bread Together
Tune: Break Bread Together
Arranged by Mark Albrecht From the Hymns for Woodwind Ensembles series. Written with Flute, oboe, clarinet, and Bassoon in mind, but in classical woodwind quintet style. As with all arrangements in this series, other instrumentations are provided for. After an Introduction that includes the entire hymn tune, the arrangement continues with the Hymnal Version from Lutheran Book of Worship, a Congregational Version for one of the first two stanzas, and another Congregational Version for the final stanza. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & I Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Orchestral Ensembles
Lord, Enthroned in Heavenly Splendor/Look, Ye Saints, the Sight Is Glorious
Tune: Bryn Calfaria
Arranged by Kenneth T. Kosche The Prelude of this arrangement from the Hymns for Orchestral Ensembles series has the hymn tune alternating among bass, alto, and soprano lines, embellished with festive, active parts in the other voices. A new, hymnal type of harmonization is followed by three increasingly rhythmic settings. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score; transposed parts for individual woodwind, brass, and string instruments; background notes; and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Lord of Glory, You Have Bought Us
(Also "Love Divine, All Loves Excelling" and "Alleluia! Sing to Jesus")
Tune: Hyfrydol
Arranged by Dale Elmshaeuser From the Hymns for Woodwind Ensembles series. The first setting in two parts is expanded with a middle voice to form a Congregational Version in three parts. Other settings are in four and five parts. One of them has an original, two-part canon in the tenor and bass, with the alto line and soprano melody entering later on. The other is a soprano descant added above the Hymnal Version from Lutheran Worship. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Original Works for Woodwinds
Manger Musik/Palestine Panorama
By Dale Elmshaeuser A Mediterranean flavor is used in this entirely original composition from the Original Works for Woodwinds series to suggest the many moods surrounding Christ's birth. A shepherd's pipe tune opens this work in arch form. Other themes include a merry dance, and an awe-filled canon as the shepherds kneel before the Christ child. Finally, they disappear into the distance with the opening shepherd's pipe tune. The writing has been compared to Menoti, Copland, and Grainger, so you must decide for yourself. The alternate title facilitates playing this arrangement at times other than Christmas. This septet is scored for Flute, Oboe, Bassoon, and I - IV Clarinets. Cross cueing enables the composition to be played without the Oboe, although with the resulting loss of an important timbre. Extra parts included are Bass Clarinet in place of the Bassoon, Alto Sax in place of II Clarinet, Tenor Sax in place of IV Clarinet, Baritone Sax in place of Bassoon, and F Horn in place of III Clarinet. The difficulty level is 4. Full Set includes a Full Score, transposed parts for individual instruments, and background notes.
Hymns for Woodwind Ensembles
My Song Is Love Unknown
Tune: Love Unknown
Arranged by Dale Elmshaeuser In this arrangement from the Hymns for Woodwind Ensembles series, the Hymnal Version is from Lutheran Worship. The second of the five settings is in 3-part harmony. Since this text is often sung to "Rhosymedre," the third setting in 2-part harmony harmonizes "Rhosymedre" in the soprano with "Love Unknown" in the bass. The descant in the 5-part final setting brings back hints of "Rhosymedre." This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 2/3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Now the Day Is Over
Tune: Merrial
Arranged by Frederick Frahm From the Hymns for Woodwind Ensembles series. The Prelude in chorale prelude style is followed by the Hymnal Version from Lutheran Book of Worship and Lutheran Worship. The Prelude develops a quarter-note triplet motif that returns in a later setting which is not a congregational accompaniment. There is a Congregational Version in three-part harmony; and another in four parts, which can accompany the congregation, but does not contain the hymn tune. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
O Chief of Cities, Bethlehem
Tune: Truth from Above
Arranged by Dale Elmshaeuser From the Hymns for Woodwind Ensembles series, this arrangement of an English folk tune promoted by Ralph Vaughan Williams begins with a straightforward congregational accompaniment. Another congregational setting has the cantus firmus in the tenor line making a duet with the bass, and layered entries in the upper two voices. Next is a more extended treatment, with each phrase of the hymn tune introduced by canonic figures related to it. The final congregational accompaniment has the cantus firmus in the alto line, and begins with it also in the bass, augmented. This arrangement can be played by as few as four instruments (soprano, alto, tenor, bass). Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
O Lord, We Praise You
Tune: Gott Sei Gelobet Und Gebenedeist
Arranged by Dale Elmshaeuser This arrangement from the Hymns for Woodwind Ensembles series begins with a smooth, organ-like 2-part harmonization for two treble instruments. The second setting mixes the solemn cantus firmus in the tenor and bass with lively outbursts from the soprano and alto lines. The Hymnal Version from Lutheran Book of Worship and Lutheran Worship completes the arrangement. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
O Savior, Precious Savior/O Jesus, I Have Promised
Tune: Angel's Story
Arranged by Mark Albrecht This arrangement for woodwind quartet from the Hymns for Woodwind Ensembles series has a brief, florid Introduction for Flute and I Clarinet that is followed by the Hymnal Version from Lutheran Book of Worship. There are two other four-part settings. One of these, for instruments only, weaves the hymn tune from voice to voice around a melodic trio. The final setting can accompany congregational singing; and it, like the previous harmonization, has a good deal of eighth-note momentum. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
O Sons and Daughters of the King
Tune: O Filii Et Filiae
Arranged by Dale Elmshaeuser This arrangement from the Hymns for Woodwind Ensembles series, includes five Congregational Settings, and opening and closing alleluias. In the three-part second setting, the bass melody supports a sprightly soprano line portraying the happy steps of the women leaving Jesus' tomb on Easter morning. While keeping to the 3/4 meter of the hymn tune, various settings provide interesting rhythmic contrasts. The Hymnal Version is from Lutheran Book of Worship and Lutheran Worship. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
On Jordan's Bank the Baptist's Cry
Tune: Puer Nobis
Arranged by Dale Elmshaeuser In this arrangement from the Hymns for Woodwind Ensembles series, there is a short introduction based on the latter part of the hymn tune. Next are a hymnal version and a congregational version, both in 4-part harmony. Another of the three settings can be played in either 2, 3, or 4 parts -- or all three ways (possibly with different instrumentations), building progressively, and ending with syncopated motifs echoing each other. This arrangement can be played by as few as four instruments (soprano, alto, tenor, bass). Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Once in Royal David's City
Tune: Irby
Arranged by Dale Elmshaeuser From the Hymns for Woodwind Ensembles series. The four settings of this Christmas processional hymn include a three-part version (treble, treble, bass) and one in a moderately modern chorale prelude style with the phrases of the hymn tune in the bass separated by material which is also used to harmonize the tune. The tenor hymn melody in the first setting moves under a British-style descant, and the hymnal version from Lutheran Worship is also included. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Orchestral Ensembles
Praise to the Lord, the Almighty
Tune: Lobe den Herren
Arranged by Kenneth T. Kosche In this arrangement from the Hymns for Orchestral Ensembles series, copies of the first notes of the chorale tune are juxtaposed with altered fragments of other portions of the tune to create a joyful Prelude. A hymnal type of harmonization precedes three more new settings, one having the chorale in the tenor line with a descant in the soprano line. The final setting is based on a slightly different version of the chorale that is compatible with the version used previously. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. Orchestration suggestions are given for a large group. The arrangement can accompany a congregation, or be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Prepare the Royal Highway
Tune: Bereden Vag For Herran
Arranged by Dale Elmshaeuser From the Hymns for Woodwind Ensembles series. The 3/4 form of this hymn tune from Lutheran Book of Worship and the 4/4 form from Lutheran Worship each have both the hymnal version and a new, more varied setting. There is an Introduction and a Transition before each harmonization, so that the two forms of the tune can alternate in a continuous suite, or a shorter suite can be made using only one form or the other. The suggestions for accompanying congregational singing include either form of the tune. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Rejoice, Rejoice, Believers
Tune: Haf Trones Lampa Fardig
Arranged by Dale Elmshaeuser A fine Advent processional hymn, in this arrangement from the Hymns for Woodwind Ensembles series, its tune in the second setting has been altered just enough to allow a 4-part canon. The melody phrases in the third setting are exchanged among the soprano, alto, and bass lines. The tenor line has the melody in the final setting, with a soprano descant above. This arrangement can be played by as few as four instruments (soprano, alto, tenor, bass). Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds/Brasses
Ricercar del Sesto Tuono
By Andrea Gabrieli
Transcribed by Dale Elmshaeuser This ricercar from the Arrangements for Woodwinds series is in imitative, polyphonic style, and has been included in professional recordings for brasses, for strings, and for woodwinds. Issued here as a woodwind arrangement, the set includes parts for I Trombone and for Tuba, plus the F Horn part found in all our woodwind quartet arrangements, making it available to brass ensembles or mixed ensembles. This transcription can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, plus extra parts for I Trombone and Tuba, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Woodwind Ensembles
Savior of the Nations, Come
Tune: Nun Komm, Der Heiden Heiland
Arranged by Dale Elmshaeuser From the Hymns for Woodwind Ensembles series, here are four settings, including a sprightly one in three-part harmony, and one with a haunting soprano descant above the Hymnal Version from Lutheran Book of Worship. The arrangement can be played effectively by a good middle school ensemble. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 2. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds
Six Traditional Carols
Arranged by Dale Elmshaeuser The carols are "Joy to the World;" "O Little Town of Bethlehem" (Tune: St. Louis); "Silent Night, Holy Night;" "Cold December Flies Away;" "We Three Kings of Orient Are;" and "Go Tell It on the Mountain." These are in the same format as the Six Traditional Carols for brasses, but they are different carols, and in the woodwind idiom. Each carol has a traditional setting in the typical group singing key, followed by a more harmonically or rhythmically varied alternate setting. The entire composition, or parts of it, can be played as an instrumental suite; or individual carols can be chosen. The woodwinds can play with or without the organist, who would read from the Conductor/Keyboard Score. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3. (Two of the alternate settings have many sixteenth notes, but each instrument has only a few at a time.) Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds
Six Traditional Carols, Set II
Arranged by Dale Elmshaeuser A sequel to Six Traditional Carols for woodwinds. Each carol has a traditional setting and a more modern, active one. The carols appear in slow-fast-slow-fast-slow-fast order: "Away in a Manger" (Tune: Cradle Song); "Patapan;" "I Wonder as I Wander;" "Carol of the Bells;" "'Twas in the Moon of Wintertime;" and "He Is Born, the Divine Christ Child." Frequent use of secondary melodies to the main carol tunes, along with antiphonal effects, provide interest and variety in the alternate settings. You can use only the carols and settings you want, in any order. Each setting is independent. The woodwinds can play alone, or with the organ, reading from the Conductor/Keyboard Score. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Son of God, Eternal Savior/Holy Spirit, Ever Dwelling
Tune: In Babilone
Arranged by Dale Elmshaeuser This arrangement for woodwind quartet from the Hymns for Woodwind Ensembles series begins with the Hymnal Version from Lutheran Book of Worship and Lutheran Worship, followed by three Congregational Versions. In the first of these, the soprano line carries the hymn tune "Dix" (with rhythmic augmentation during the last half of the tune), while the tenor line plays "In Babilone." This treatment correlates nicely with Stanza 2 of "Son of God, Eternal Savior," since "Dix" often accompanies the hymn, "For the Beauty of the Earth;" and the two hymn texts have a logical relationship. Treble and bass duets alternate in the third setting. The final harmonization has the melody in the alto line. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds
Still, Still, Still
Arranged by Evan Becker In this arrangement from the Arrangements for Woodwinds series, sturdy eighth-note arpeggios in the Keyboard are joined by a simple ostinato pattern in the bells, and continue under a complete stanza of the carol, played by the Oboe. A modulation from D Major to B-flat Major introduces a stanza for all the Woodwinds, Keyboard, and a delicate eighth-note pattern for the Bells. Returning to the original key, the Bells play the carol tune, while Flute, Oboe, and Clarinet play legato eighth-note melodic motifs above the Bassoon bass line and Keyboard chords. This arrangement is scored for a quartet of Flute, Oboe, Clarinet, and Bassoon, plus either Orchestra Bells or Handbells, and an independent Keyboard part. Extra parts are included for alternate Clarinet in place of the Oboe, Bass Clarinet in place of the Bassoon, I Alto Sax in place of the Oboe, II Alto Sax in place of the (regular) Clarinet, Tenor Sax in place of the (regular) Clarinet, Baritone Sax in place of the Bassoon, and F Horn in place of the (regular) Clarinet. In addition to all of these, Alternate Treble Instrument parts in C and B-flat allow performance with Bells, Keyboard, and only one or two instruments. This is an instrumental piece, not suitable for congregational accompaniment. The difficulty level is 3. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Woodwind Ensembles
The Day Is Surely Drawing Near
Tune: Es Ist Gewisslich
Arranged by Dale Elmshaeuser From the Hymns for Woodwind Ensembles series. The four settings include a lush harmonization in hymnal style, a tenor melody under soprano and alto fanfares as suggested by the last trumpet cited in one of the hymn stanzas, a three-part setting in Baroque style, and the Hymnal Version from Lutheran Worship. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
The King of Love My Shepherd Is
Tune: St. Columba
Arranged by Dale Elmshaeuser An ostinato-like bass line supports the first Congregational Version of this arrangement from the Hymns for Woodwind Ensembles series. A 3-part (SAB) setting is next, followed by the Hymnal Version from Lutheran Book of Worship and Lutheran Worship. The final Congregational Version is in four parts, plus a soprano descant. The arrangement, probably our easiest, can be played effectively by elementary school ensembles. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 2. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
The King Shall Come When Morning Dawns
Tune: Consolation/Morning Song
Arranged by Dale Elmshaeuser From the Hymns for Woodwind Ensembles series, the first setting begins with layered entries, with the hymn tune in the alto voice. The cantus firmus moves to the tenor in the second setting, and remains there in the next setting, while the soprano instruments play a lovely descant of slurred sixteenth-note segments. After the Hymnal Version from Lutheran Book of Worship and Lutheran Worship, the arrangement concludes with a tenor cantus firmus between alto and bass harmonic lines, topped with a soaring soprano descant. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
The Only Son from Heaven
Tune: Herr Christ, Der Einig Gotts Sohn
Arranged by Dale Elmshaeuser In this arrangement from the Hymns for Woodwind Ensembles series, the second of four settings has the melody in the bass line, then in the tenor with a soprano descant. The third setting adds a soprano descant above the hymnal version. The "busy" fourth setting suggests the angel host of the hymn's fourth stanza. This arrangement can be played by as few as four instruments (soprano, alto, tenor, bass). Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental
suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Arrangements for Woodwinds/Brasses
Three Christmas Preludes
Arranged by Preston D. King The first of three separate movements begins with "O Come, All Ye Faithful," and ends with "The First Noel." The second movement is a meditative setting of "Lo! How a Rose E'er Blooming." The fast-slow-fast format ends with a quick-moving setting of "God Rest Ye Merry, Gentlemen" in 2/2 time. Each movement stands on its own. This arrangement can be played by as few as four instruments. It works equally well with woodwinds or brasses. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The set includes a I Trombone part and a Tuba part for brass ensembles. Trumpets can read from the I & II Clarinet parts, and II Trombones and Baritones can read from the Bassoon part. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Woodwinds
Two 14th Century German Carols
Tunes: Joseph Lieber, Joseph Mine; Quem Pastores
Arranged by Mark Albrecht From the Arrangements for Woodwinds series, this Clarinet quartet in legato style begins with "Joseph Lieber, Joseph Mein," moves on to "Quem Pastores," and finishes with both together -- all with mildly contemporary harmonies. This arrangement is scored for four soprano (B-flat) Clarinets. The fourth part may be played by soprano or Bass Clarinet, or both. Alternate parts are included for Flute in place of I Clarinet, Oboe in place of I Clarinet, Bassoon in place of IV Clarinet, I Alto Sax in place of II Clarinet, II Alto Sax in place of III Clarinet, Tenor Sax in place of III Clarinet, Baritone Sax in place of IV Clarinet, and F Horn in place of III Clarinet. The difficulty level is 3. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Woodwinds
Two Advent Chorales for Woodwinds and Organ
Tunes: Veni, Emmanuel; Freu Dich Sehr
Arranged by Evan Becker In this arrangement from the Arrangements for Woodwinds series, there is a beautiful setting of "O Come, Emmanuel" for Flute, Oboe, Clarinet, Bassoon, and Organ, in which the melody is instantly recognizable, and the style is appropriately meditative. For the same instrumentation, "Comfort, Comfort Now My People" follows in a transcription of an organ piece by Sigfrid Karg-Elert. The latter uses a highly ornamented form of the melody. This arrangement is scored for a quartet of Flute, Oboe, Clarinet, and Bassoon, with an independent Organ part. Alternate parts are included for another Clarinet in place of Oboe, Bass Clarinet in place of Bassoon, and Alto Sax in place of (regular) Clarinet. The difficulty level is 3. Full set includes a Full/Organ Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Orchestral Ensembles
Two Hymn Accompaniments
Christ Is Alive! Let Christians Sing (Tune: Truro)
Take My Life, That I May Be (Tune: Patmos)
Arranged by Dale Elmshaeuser The two shorter arrangements within this arrangement from the Arrangements for Orchestral Ensembles series were designed to accompany congregational singing, but they are varied enough to serve as separate instrumental pieces. "Christ Is Alive! Let Christians Sing" begins with a strong and lively Introduction, followed by the Hymnal Version from Lutheran Book of Worship, and an original descant. A separate sheet with the descant and the texts of the last stanzas of both this hymn and "Lift Up Your Heads, Ye Mighty Gates" is included for choir trebles. "Take My Life, That I May Be" is introduced by a Baroque-style fughetta. The Hymnal Version from Lutheran Book of Worship is next, with an original, instrumental descant added. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. The arrangement can accompany a congregation, or be played as an instrumental piece. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, and suggestions for performance.
Arrangements for Orchestral Ensembles
Two Hymn Accompaniments, Set II
Jesus on the Mountain Peak (Tune: St. Albinus)
Jesus, Still Lead On (Tune: Seelenbrautigen)
Arranged by Dale Elmshaeuser The two shorter arrangements within this arrangement from the Arrangements for Orchestral Ensembles series were written as wind ensemble accompaniments to congregational hymns, but they are varied enough to serve as separate instrumental pieces. "Jesus on the Mountain Peak" has a bold, majestic Introduction, the Hymnal Version from With One Voice, and an optional Transition with fanfare motifs, leading into a broader, more florid setting for congregation, and ending with the fanfares of the Transition. Optional percussion parts are included for chimes, snare and bass drums, and suspended and crash cymbals. "Jesus, Still Lead On" has an Introduction that begins small in the treble range, gradually expands, and ands with full, four-part harmony. The Hymnal Version from Lutheran Book of Worship is topped by a descant for instrumentalists and choir trebles (text and music sheet included). The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra. The arrangement can accompany a congregation, or be played as an instrumental piece. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, and suggestions for performance.
Arrangements for Orchestral Ensembles
Two Hymn Accompaniments, Set III
Blessed Assurance (Tune: Assurance); and
Praise, My Soul, the King of Heaven (Tune: Praise, My Soul)
Arranged by Dale Elmshaeuser The two shorter arrangements within this arrangement from the Arrangements for Orchestral Ensembles series were written for a wind ensemble to accompany congregational singing, but they can be played by strings, and they are varied enough to serve as separate instrumental pieces. "Blessed Assurance" has an original Introduction, followed by the harmonization from the hymnal supplement With One Voice, and an optional descant. "Praise, My Soul, the King of Heaven" begins with an instrumental Introduction, and continues with the harmonization from Lutheran Book of Worship. The arrangement proceeds with a Congregational Version in four-part harmony, with an optional fifth part. The LBW harmonization returns, with an added descant. The latter can be played by the instrumentalists, and/or sung by choir trebles from the provided sheet that includes the text of the final hymn stanza for both "Praise, My Soul, the King of Heaven," and "Alleluia, Song of Gladness." While this set is playable by many high school ensembles, it is musically interesting enough for adult and advanced groups as well. The arrangement can be played by as few as four instruments (soprano, alto, tenor, bass), and by as many as a full wind ensemble (concert band), string orchestra, or full orchestra (without percussion). The arrangement can accompany a congregation, or can be played as an instrumental piece. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual woodwind, brass, and string instruments, and suggestions for performance.
Arrangements for Woodwinds
Variations on "New Britain"
Tune: New Britain/Amazing Grace
Arranged by Frederick Frahm This arrangement from the Arrangements for Woodwinds series is in typical 20th-century classical woodwind quintet style. Variations I and III are slow and expressive. Variation II begins very sprightly, and then is interrupted and concluded by a wandering, canonic treatment. A haunting Variation IV with very low clarinet on the hymn tune gives way to an outstanding Variation V, made exciting by its speed and mixed eighth-note meters. This is for competent players, and in addition to ensembles for worship, is excellent for advanced high school music contestants and for collegiate and professional quintets. The suggested instrumentation is the standard woodwind quintet of Flute, Oboe, Clarinet, F Horn, and Bassoon; but alternate parts for II & III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, and Baritone Sax allow for other quintet possibilities, or for various doublings in larger ensembles. The difficulty level is 4/5. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Arrangements for Woodwinds
Variations on "Rendez A Dieu"
Tune: Rendez A Dieu
Arranged by Frederick Frahm This arrangement from the Arrangements for Woodwinds series is a very special suite of distinctly different variations on a beautiful hymn tune, often sung to a text for the Lord's Supper. It could be very appropriately played during communion distribution. After the straightforward harmonization of the hymn tune, four aptly-named variations follow: Canzona, Arioso, Scherzo, and Fantasy. Some of the settings are more challenging than the typical high school level, but all are well worth working out. Professional and collegiate quintets will enjoy this arrangement, and advanced high school groups will find it to be an excellent contest piece. The suggested instrumentation is the standard woodwind quintet of Flute, Oboe, Clarinet, F Horn, and Bassoon; but alternate parts for II & III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, and Baritone Sax allow for other quintet possibilities, or for various doublings in larger ensembles. The difficulty level is 4. Full set includes a Full Score, transposed parts for individual instruments, background notes, and suggestions for rehearsal and performance.
Hymns for Woodwind Ensembles
What a Friend We Have in Jesus
Tune: Converse
Arranged by Mark Albrecht This arrangement from the Hymns for Woodwind Ensembles series begins with a sparkling, Baroque-style Prelude that ends whimsically in the Flute. It is a worthwhile, independent composition, but is also an effective prelude to the hymn. After the Hymnal Version from Lutheran Book of Worship and Lutheran Worship, there are two new settings that both contain a lot of rhythmic and harmonic interest, gradually taking on hints of the blues. This arrangement can be played by as few as four instruments. The original instrumentation was Flute, Oboe, Clarinet, and Bassoon, but parts are included for II & III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can be formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or can be played as an instrumental suite of variations on the hymn. The difficulty level is 3/4. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
Hymns for Woodwind Ensembles
Your Hand, O Lord, in Days of Old
Tune: Old 107th
Arranged by Dale Elmshaeuser In this arrangement for woodwind quartet from the Hymns for Woodwind Ensembles series, the first of the four harmonizations is melody-only in unisons and octaves; followed by one in which an ostinato builds by adding instruments; and finally a lively, highly syncopated, three-part setting before the Hymnal Version from Lutheran Worship. This arrangement can be played by as few as four instruments. Parts are included for Flute, Oboe, Bassoon, I-III Clarinets, Bass Clarinet, I & II Alto Saxes, Tenor Sax, Baritone Sax, and F Horn, so that quartets can formed in different ways, or various doublings may be made for larger ensembles. The arrangement can accompany a congregation, or it can be played as an instrumental suite of variations on the hymn. The difficulty level is 3. Full set includes a Conductor/Keyboard Score, transposed parts for individual instruments, background notes, and suggestions for performance with or without the congregation and choir.
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